Showing posts with label Ihagee. Show all posts
Showing posts with label Ihagee. Show all posts

Kine Exakta / Kine Exacta

  • Type: Kine-Exacta Type 5 or according to an other classification: Kine-Exakta Type 1.2 - post-war model with "c" spelling; or according to a third one: Kine-Exacta I - Post War Version 2.2
  • Serial No: 617715
  • Manufactured: 1948
  • Manufacturer: Ihagee, Dresden, Germany
  • Shutter: Focal plane horizontally travelling textile curtain
  • Slow shutter speeds: 12, 11, 9, 8, 7, 6, 5, 4, 3, 2, 1, 1/2, 1/5
  • Slow shutter speeds with self timer: 6, 5, 3, 2, 1 1/2, 3/4, 1/5
  • Fast shutter speeds: B, Z, 1/25, 1/50, 1/100, 1/150, 1/250, 1/500, 1/1000
  • Lens: Meyer-Optik Görlitz Primagon 1:4.5/35
  • Aperture: 4.5-22 stopless
  • Lens Serial No: 1826515
  • Lens mount: Ihagee/Exakta/Exa bayonet
  • Last CLA: 06/2011

Kine Exacta / Kine Exakta Type 5

Kine Exacta / Kine Exakta Type 5

Kine Exakta was the World's first 35 mm SLR camera. It was in production from the spring of 1936. (In fact the prototype of the Russian Sport preceeded it in 1934 but it was not ready for the mass production until 1937.)  The 'Kine' in its name refers to the Cinema, where the standard 35mm film was used for motion pictures at that time. In fact, the first self-made 35mm still cameras were used by motion picture makers to take quick test shots. This heritage can be found in the Kine Exakta in the form of a small embedded film cutting blade next to the film cassette compartment. It can be used to cut out the exposed part of the film to develop it quickly without waiting for the rest of the roll to be exposed. (See the small hooklike blade in the center of the picture below.)

Kine Exacta / Kine Exakta Type 5

Ihagee was a serious player on the medium format market producing quality folder and reflex cameras. The predecessor of the Kine Exakta was the VP Exakta, an SLR using 127 (Vest Pocket) film, hence its name. Both of them was designed by Karl Nüchterlein, a forgotten genius. The VP Exakta was a superior camera in 1933 with shutter speeds 12s to 1/1000, focal pane shutter, interchangeable bayonet-mount lens and, before 1940, wind lever cocking the shutter and putting the mirror in position. The Kine Exakta continued this path in the 35mm film market.

Kine Exacta / Kine Exakta Type 5

Now let's see the shutters. There are two of them - one for short speeds and one for long speeds and self timer. Using the short speeds from 1/25 to 1/1000, B and Z is quite simple. Cock the fast shutter with hte film wind lever an set the speed with the disc on the left. (You have to pull up the disc and rotate it in the direction of the arrow until the inner dot matches the desired speed number.) B means Bulb mode; shutter stays open until the release button is pressed. Z means that shutter opens for the first press of the release button and closes for the second - remaining open between the two.

To use long exposure times you have to cock the fast shutter and set the left disc to Z or B. Then cock the slow shutter turning the right disc counterclockwise until it stops and set the desired long speed using the longer scale (from 1/5 to 12).

The self timer can be accessed using the shorter scale (from 1/5 to 6) on the right side disc. If you want to use long exposition with the self timer you just cock the fast timer and set it to B or Z. Then you cock the slow shutter and set the desired time on the shorter scale.

To use short times with the self timer you should cock the fast shutter and set it to the desired speed. Then you cock the slow shutter and set it to any speed on the shorter scale.

So you have 20 normal speeds and 15 with self timer! Sophisticated enough? And one more thing. You cannot release the shutter with the finder hood closed; there is a shutter lock mechanism preventing unwanted expositions.

Kine Exacta / Kine Exakta Type 5


[More to come soon...]

Ihagee Exa

  • Version: 4
  • Serial No: 504555
  • Manufactured: 1957
  • Manufacturer: Ihagee, Dresden, Germany
  • Shutter: “Guillotine-type” Exa specialty
  • Speeds: 1/150, 1/100, 1/50, 1/25, B
  • Lens: Meyer-Optik Görlitz Trioplan 1:2.9/50
  • Lens No:1996718
  • Apertures:2.9, 4, 5.6, 8. 11. 16. 22
  • Lens mount: Ihagee/Exakta/Exa bayonet
  • Last CLA: unknown
This is one of the best looking things ever made. No doubt about it. Look at this picture. Something you want to possess immediately, isn’t it? The good news is that you can buy one for less than EUR 50 on ebay.

Ihagee Exa

This camera is the older brother of the Exa Ia, I’m going to compare with. People often call it Exa 0 to distinguish it from the latter I and II models.

The most striking difference is the look. The Ia was a nice camera but the 0 is simply beautiful. Sparkling metal everywhere, knobs and buttons, and this nice engraving on the front plate, all in all, this camera is a dangerous seducer.

Ihagee Exa

The cheap feel of the Ia is not present when you hold the Exa 0 in your hand. It feels solid and precise. And it’s so damn good looking that you tend to forgive anything anyway. Even the sound of the shutter which is the same empty can noise as of the Exa Ia. But don’t hear, look!

There is charm everywhere on this camera. You can set the shutter speed with a stick for example. Isn’t it delightful? Of course it is.

Ihagee Exa

Now let’s see the handling. This camera have a Trioplan lens which is great but it doesn’t include automatic aperture stop down so you have to set focus on maximum aperture and stop down manually before the exposition. Another issue is the finder. There is no focusing aid in the prism so using it is more difficult than the finder of the Ia which is brighter, have better loupe and gives us the comfort of a microprism. So the Ia is much easier and faster to use.

But the Exa 0 is a piece of gem and it even provides us with a “sport finder”. Or at least a hole that can be called this way. It cannot be used to focus or set anything but it’s so nice that it even exists.

Ihagee Exa

Ihagee Exa

Maybe beauty is not everything but it is almost. That’s why we love this camera. Finally some words about the lens. I love the Trioplans since I tried one on my Altix. They render beautifully, especially compared with the Domiplans. The Domiplans are boring, the images are unsharp and the colors need lots of digital post-processing not to be dead-grey. The best you can tell is that they are reliable and even the old ones are in generally good shape. But don’t go for it. There is a large lens selection for the Exas. Tessars for example. But the best choice can be the Trioplan. It is a mid-priced lens and this suits well for the cheap-SLR concept of the Exa family. Trioplan is the best on the mid-priced lens palette, standing out the same way as the Exa stands out from the other cameras of its price range. Or even more.

Some test shots in BW

Before hitting the road

On the road

And here is the undeniable evidence of the superiority of the Trioplan lens. Look at them in full res. Look at the textures. And the bokeh. Crisp like nothing else. I love it.

I'm in love with Trioplan - 1

I'm in love with Trioplan - 2

She's out of focus

Lookout tower

Wheat



Exa Ia

  • Type: Ia
  • Serial No: 379142
  • Manufactured: 1965-1977
  • Manufacturer: Ihagee, Dresden, Germany
  • Shutter: “guillotine-type” focal plane
  • Speeds: 1/30, 1/60, 1/125, 1/175 and B
  • Lens: Meyer-Optik Görlitz Domiplan 2.8/50
  • Apertures: 2.8 - 22 in half stops
  • Lens No:5116628
  • Lens mount: Ihagee/Exakta/Exa bayonet
  • Last CLA: unknown

The Exa Ia is a cheap and simple SLR camera system from Ihagee with interchangeable lens, interchangeable finder and lots of accessories (like a 3 parts macro tube for as close focusing as 2 cm). It was designed to be an affordable alternative of the more sophisticated and higher quality Exakta series.

EXA Ia

It comes with a waist-level finder which can be replaced with a normal eye-level finder but why anybody would do that? A waist-level finder is a great fun. Firstly because you have to compose in a mirror (and it’s not as easy as you think). Secondly you will get a completely different perspective. Composing while the camera is on the ground is not a problem anymore. Same applies when you hold it up above your head. Finally, the waist-level finder is the less obtrusive solution possible. Most people will not even notice that you take photo.

EXA Ia

EXA Ia

Then comes that ugly clash. The Exas have a very simple shutter which is basically the mirror itself making a noise of an empty can. It’s really ugly. Simplicity means a limited choice of speeds from 1/30 to 1/175 which is surprisingly enough in most of the cases. Simplicity also means reliability: it’s free from the slowdown in cold - a typical problem of other mechanical shutters having higher speeds.

EXA Ia

The camera itself is somehow wobbly. However, it’s wobbly in a German way. For example the cover of the waist-level finder is beveled because of an imprecise fastening. But not only on mine - it’s beveled on all Exa Ia-s exactly the same way. Engineered discrepancy.

EXA Ia

The manufacturer was IHAGEE, a strangely named camera company founded by a Dutchman in Dresden, Germany (the name is the German pronunciation of the acronym IHG standing for Industrie- und Handelsgesellschaft).

EXA Ia

You can find several lenses for the EXA Ia since it has a standard IHAGEE Exakta/Exa bayonet mount. Mine came with a Domiplan lens which is not a sharp one but reliable and without noticeable distortion. Here is a sample photo taken with it:

Crane

All in all, the EXA Ia is a unique camera with a really special look. It’s simple, medium quality but reliable and fun to use. You will like to play with it.

Raoul Pop, an American photographer made a short video to introduce the EXA Ia in details. A must see.


Exakta EXA Ia SLR from Raoul Pop on Vimeo.