Exa Ia

  • Type: Ia
  • Serial No: 379142
  • Manufactured: 1965-1977
  • Manufacturer: Ihagee, Dresden, Germany
  • Shutter: “guillotine-type” focal plane
  • Speeds: 1/30, 1/60, 1/125, 1/175 and B
  • Lens: Meyer-Optik Görlitz Domiplan 2.8/50
  • Apertures: 2.8 - 22 in half stops
  • Lens No:5116628
  • Lens mount: Ihagee/Exakta/Exa bayonet
  • Last CLA: unknown

The Exa Ia is a cheap and simple SLR camera system from Ihagee with interchangeable lens, interchangeable finder and lots of accessories (like a 3 parts macro tube for as close focusing as 2 cm). It was designed to be an affordable alternative of the more sophisticated and higher quality Exakta series.


It comes with a waist-level finder which can be replaced with a normal eye-level finder but why anybody would do that? A waist-level finder is a great fun. Firstly because you have to compose in a mirror (and it’s not as easy as you think). Secondly you will get a completely different perspective. Composing while the camera is on the ground is not a problem anymore. Same applies when you hold it up above your head. Finally, the waist-level finder is the less obtrusive solution possible. Most people will not even notice that you take photo.



Then comes that ugly clash. The Exas have a very simple shutter which is basically the mirror itself making a noise of an empty can. It’s really ugly. Simplicity means a limited choice of speeds from 1/30 to 1/175 which is surprisingly enough in most of the cases. Simplicity also means reliability: it’s free from the slowdown in cold - a typical problem of other mechanical shutters having higher speeds.


The camera itself is somehow wobbly. However, it’s wobbly in a German way. For example the cover of the waist-level finder is beveled because of an imprecise fastening. But not only on mine - it’s beveled on all Exa Ia-s exactly the same way. Engineered discrepancy.


The manufacturer was IHAGEE, a strangely named camera company founded by a Dutchman in Dresden, Germany (the name is the German pronunciation of the acronym IHG standing for Industrie- und Handelsgesellschaft).


You can find several lenses for the EXA Ia since it has a standard IHAGEE Exakta/Exa bayonet mount. Mine came with a Domiplan lens which is not a sharp one but reliable and without noticeable distortion. Here is a sample photo taken with it:


All in all, the EXA Ia is a unique camera with a really special look. It’s simple, medium quality but reliable and fun to use. You will like to play with it.

Raoul Pop, an American photographer made a short video to introduce the EXA Ia in details. A must see.

Exakta EXA Ia SLR from Raoul Pop on Vimeo.

Kodak Retina IIa

  • Type 150
  • Serial No: 362056K
  • Manufactured: 1939-1941 (yes, right)
  • Manufacturer: Kodak
  • Shutter: Compur-Rapid
  • Shutter No: 6059689
  • Speeds: 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/250, 1/500 and B
  • Lens: Schneider-Kreuznach - Retina-Xenon f:2.8 F=5cm (uncoated)
  • Aperture: between 2.8 and 16 without stops
  • Lens No: 1589863
  • Lens mount: fixed
  • Last CLA: unknown
No, this is not the Retina IIa you think. That was made between 1951 and 1954. This one is a little bit older. It was designed in 1939 and manufactured until 1941 by the Nagel Camerawerk in Stuttgart, Germany under the Kodak brand name. Only 5107 pieces were produced from this type so you can call it a rarity.

Kodak Retina IIa Type 150

The two visual differences you can use to identify it are that this one has film wind knob while the later types have a lever and this one has a depth-of-field scale wheel at the bottom which is missing from the 1951-54 series.

The camera itself is small. It fits in a larger pocket when folded. It’s surprisingly heavy and robust for the small size, feels like something very serious and extremely reliable - and it is. It can provide you with a sufficient range of shutter speeds to 1/500 and an acceptable choice of apertures.

Kodak Retina IIa Type 150

It’s a really old camera, not something from the 50’s so it’s a little bit difficult to use. You have to turn the camera to yourself to be able to set the aperture and shutter speed, for example. Accidentally modifying the settings is easy so be careful and check them before each shot. Your finger can unintentionally turn the shutter speed ring when you cock the shutter.

The rangefinder is coupled and surprisingly usable; a pink spot picture on the blueish image of the viewfinder. In fact it’s far better than the rangefinder of a Super Dollina II or an early Zorki or Fed.

Kodak Retina IIa Type 150

You can find a depth-of-field scale wheel typically Nagel on the bottom of the camera. It can be used to pre-calculate the right distance setting when one decides to go with zone focusing instead of using the rangefinder. Zone focusing is like anything else with this camera: possible but not easy.

Kodak Retina IIa Type 150

The Kodak Retina IIa is a beautiful camera. No doubt about it. The Type 150 is even more. It’s usable but it’s so old that you have to make some compromises despite the good range of f stops and shutter speeds. (I’m willing to make compromises and hardly waiting to put a black & white film into it and go out somewhere.)

Kodak Retina IIa Type 150

There is no coating on the lenses so it’s better to be careful with the light sources. On top of that, the lens is meant to render black and white images. Using a color film it can produce really strange colors. The result is completely unpredictable, sometimes too red, sometimes too blue, sometimes too orange, sometimes dead grey and sometimes ok.

Here are some test shots with more or less realistic colors (a bit yellowish, but just a bit):

Clouds in blue



Do you want some extra attention for yourself? Get a Retina IIa, put a roll of 35mm film into it and go to take some pictures. This camera is not an ordinary view, especially not in action.

I couldn’t find any manual for this exact type so I had to experiment with it for a while to get to know each other and I found two quirks:
  1. There is an interlock which prohibits the camera to fold when the focus ring is not set to infinity. It looks like the folding unlock buttons to be jammed, but if you set the focus to infinity, everything works fine. So don’t force, set the focus to infinity before you close it.
  2. There is a switch on the back of the camera behind the film wind knob without an obvious function. It enables the rollback of the film. It’s a unique solution of this type, other types have different mechanisms.
You can read the manuals for the I, II and later IIa types on butkus.org for the rest you need to know on how to use this great camera.